I have just finished reading Flesh House by Stuart MacBride. It was brilliant, though I don’t know why I sound surprised – I’m not a MacBride novice by a long stretch, and I was in fact re-reading this one. I’ve actually read most of his novels. My first, the aforementioned Flesh House, must have been back when I was twenty or so. It was (and is) an extremely gripping police procedural, veined with a delectably black sense of humour and splattered with enough visceral detail to keep Jack the Ripper himself happy. We could analyse it to work out what makes it so good. But this post is more of a Stuart MacBride review; an effort to pinpoint the attributes that make one of the best active authors out there.
Anyway. After reading Flesh House for the first time, I tracked through the remains of MacBride’s oeuvre, devouring his books on sight. Of course, this reading fervour rather blinded me to the chronology of his Logan McCrae series; I don’t think I read a single book in consecutive order, having started with the fourth and finishing with the first. Not a problem – they’re all great stories and they work well as independent novels. But that hasn’t stopped me going back and reading them all again from the beginning.
A top-tier author
There’s a small clutch of authors I consider to be my favourites. I find that nowadays I don’t have absolute favourite authors or bands or films. I tend have inner circles, pantheons of admired figures and pieces, usually champions of different genres. Stuart MacBride is in that inner circle, alongside Neil Gaiman and Stephen King and probably a few more. And out of all of them, I think MacBride writes the best story.
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